{"id":7094,"date":"2018-08-19T21:26:52","date_gmt":"2018-08-19T21:26:52","guid":{"rendered":"https:\/\/www.musicistireggiani.it\/catalog\/all-the-albums\/"},"modified":"2023-08-29T14:46:36","modified_gmt":"2023-08-29T14:46:36","slug":"all-the-albums","status":"publish","type":"page","link":"https:\/\/www.musicistireggiani.it\/en\/catalog\/all-the-albums\/","title":{"rendered":"All the albums"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n

ALL THE ALBUMS A-Z<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]
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\r\n …e ad\u00e8ss<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n 1964-1985 Affinit\u00e0-divergenze tra il compagno Togliatti e noi. Del conseguimento della maggiore et\u00e0<\/a>\r\n <\/h3>\r\n \r\n 1985<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n 77 singoli + 7<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n A che ora \u00e8 la fine del mondo?<\/a>\r\n <\/h3>\r\n \r\n 1994<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n A Ruota Libera \/ Freewheeling: The Duet Album<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n A strapiombo<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n A tribute to Nino Rota<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n After dark, my sweet<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ages<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Aguaplano<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Alla Nostra Maniera<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Alla Pattacini<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Allo specchio<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Amore che prendi amore che dai<\/a>\r\n <\/h3>\r\n \r\n 2002<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Anabasi Road<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Andrea Griminelli, Filomena Moretti – Italian Music for Flute and Guitar<\/a>\r\n <\/h3>\r\n \r\n 2005<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Aphorisms from Castagneto<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Appunti da un viaggio immaginario<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Arrivederci, mostro! – In acustico<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ashram Equinox<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Augusto – omaggio alla voce dei Nomadi<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Austerit\u00e0<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Bach: Flute Sonatas di Andrea Griminelli<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Bachelite<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Back<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Baila (Sexy Thing)<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ballate d’Appennino<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Bermuda plays Pink<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Between Trains<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Black cat<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Blaze a Trail<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Bloom<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Blue’s<\/a>\r\n <\/h3>\r\n \r\n 1987<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Bluesugar<\/a>\r\n <\/h3>\r\n \r\n 1998<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Broken anchor<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Buon compleanno Elvis<\/a>\r\n <\/h3>\r\n \r\n 1995<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Call Me Johnny<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Camminanti<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Campovolo 2.011<\/a>\r\n <\/h3>\r\n \r\n 2011<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Canti di guerra, di lavoro e d’amore<\/a>\r\n <\/h3>\r\n \r\n 2022<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Cartoline da qui<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Chocabeck<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Chrysalis<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Close your eyes, think about beauty<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Come potevamo noi cantare…<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Con me o contro di me<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Coro Monte Cusna<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Corpo estraneo<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Crescere<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Cuore scoppiato<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n D’anime e d’animali<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Di buon mattino<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n DI CANI DI LUPI D\u2019UMANI<\/a>\r\n <\/h3>\r\n \r\n 2022<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Different Times<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Diotbend\u00e9sa<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Discover<\/a>\r\n <\/h3>\r\n \r\n 2021<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Distacco<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Dividing opinions<\/a>\r\n <\/h3>\r\n \r\n 2007<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Donna Lombarda<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Dreams and Nightmares<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Duty Free Rockets<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Ecce homo<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Emozione d’autore<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Encores<\/a>\r\n <\/h3>\r\n \r\n 2007<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Epica Etica Etnica Pathos<\/a>\r\n <\/h3>\r\n \r\n 1990<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Essential<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Facce da treno<\/a>\r\n <\/h3>\r\n \r\n 2007<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fantacoscienza<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fever in the Funk House<\/a>\r\n <\/h3>\r\n \r\n 1999<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 1<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 2<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 3<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 4<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 5<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fisarmonica in allegria vol. 6<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fly<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fotoromanza<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Fuori come va?<\/a>\r\n <\/h3>\r\n \r\n 2002<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Galaxy Boy<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Geisha<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Gente come noi<\/a>\r\n <\/h3>\r\n \r\n 1991<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Gh’era na volta<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Giampaolo Corradini & The Weekend Warriors<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Gioco di societ\u00e0<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Giro d’Italia<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Gli ammutinati del Bouncin’ ovvero mirabolanti avventure di uomini e mari<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Good luck<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Henghel Gualdi E Andrea Griminelli \u2013 Together In Concert<\/a>\r\n <\/h3>\r\n \r\n 1995<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Honolulu Swing<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Hot Ashes & Broken Pieces<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n I giorni della Balena<\/a>\r\n <\/h3>\r\n \r\n 2019<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n I Nomadi 1<\/a>\r\n <\/h3>\r\n \r\n 1981<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n I Nomadi 2<\/a>\r\n <\/h3>\r\n \r\n 1983<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n I Nomadi 3<\/a>\r\n <\/h3>\r\n \r\n 1987<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n I nomadi cantano Guccini<\/a>\r\n <\/h3>\r\n \r\n 1973<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il fuoco<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il giardino che non vedi<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il giorno che verr\u00e0<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il giovane Mariani e altri racconti<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il mistero del DNA<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Il ruggito del Maelstrom<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n In Love<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n In quiete<\/a>\r\n <\/h3>\r\n \r\n 1994<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n INCREDIBILE!?<\/a>\r\n <\/h3>\r\n \r\n 2022<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Infanti<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Infanzia di M<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Inferno<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Infernvm<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Intergalactic Live Video Archives<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Just A Walking Man<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Kaleidos<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Ko de mondo<\/a>\r\n <\/h3>\r\n \r\n 1994<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n L’essenza<\/a>\r\n <\/h3>\r\n \r\n 2022<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n L’isola<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n L’osteria del fojonco<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n L’uomo che viaggiava nel vento e altri racconti di brezze e correnti<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n L\u2019Et\u00e0 Della Ragione<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n La bellissima Giulietta e il suo povero padre grafomane<\/a>\r\n <\/h3>\r\n \r\n 2011<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n La Macchia Mongolica<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n La Margherita e il Grano<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n La musica della poesia<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n La route du Bonheur<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Lambrusco coltelli rose & pop corn<\/a>\r\n <\/h3>\r\n \r\n 1991<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Le canzonissime di Orietta Berti<\/a>\r\n <\/h3>\r\n \r\n 1989<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Libere Correnti Dorsali<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Liberi di volare<\/a>\r\n <\/h3>\r\n \r\n 2000<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Lieutentant Murnau<\/a>\r\n <\/h3>\r\n \r\n 1998<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ligabue<\/a>\r\n <\/h3>\r\n \r\n 1990<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Linea Gotica<\/a>\r\n <\/h3>\r\n \r\n 1996<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Live at the Johnny Fox’s & Ech\u00f2 Music Pub<\/a>\r\n <\/h3>\r\n \r\n 1998<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Live in Punkow<\/a>\r\n <\/h3>\r\n \r\n 1996<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Livin’ Studio<\/a>\r\n <\/h3>\r\n \r\n 2000<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Lontano<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Luci – Le uniche cose importanti<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Lungo le vie del vento<\/a>\r\n <\/h3>\r\n \r\n 1995<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Lycanthrope<\/a>\r\n <\/h3>\r\n \r\n 2005<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n M’han presa<\/a>\r\n <\/h3>\r\n \r\n 1997<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ma non sei tu<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Maciste contro tutti<\/a>\r\n <\/h3>\r\n \r\n 1992<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Made in Italy<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Mare dentro<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Mazurka Variata<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Microsolco<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Milked<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Miserere<\/a>\r\n <\/h3>\r\n \r\n 1992<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Miss Mondo<\/a>\r\n <\/h3>\r\n \r\n 1999<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n M\u00f6i<\/a>\r\n <\/h3>\r\n \r\n 2019<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n My name is Tex<\/a>\r\n <\/h3>\r\n \r\n 2011<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Naturally Live<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Now and then<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Oggetti del desiderio<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Oro, incenso e birra<\/a>\r\n <\/h3>\r\n \r\n 1989<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Ortodossia II – Compagni, Cittadini, Fratelli, Partigiani<\/a>\r\n <\/h3>\r\n \r\n 1985<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Our Secret Ceremony<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Painting Over Rust<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Partenze e Ritorni<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Per Grazia Ricevuta<\/a>\r\n <\/h3>\r\n \r\n 2002<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Phi Chi Phi Chi<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Punk… Not Diet!<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Quaranta<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Quarta parete<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Radiofreccia (colonna sonora originale)<\/a>\r\n <\/h3>\r\n \r\n 1998<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Rapsodia satanica<\/a>\r\n <\/h3>\r\n \r\n 2014<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n RESA INCONDIZIONATA<\/a>\r\n <\/h3>\r\n \r\n 2024<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Resuscitate<\/a>\r\n <\/h3>\r\n \r\n 2010<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Rise and Fall of Academic Drifting<\/a>\r\n <\/h3>\r\n \r\n 2000<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Rispetto<\/a>\r\n <\/h3>\r\n \r\n 1986<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sbianca<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sciopero dei musicisti<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sempre Nomadi<\/a>\r\n <\/h3>\r\n \r\n 1981<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Shake<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Socialismo e barbarie<\/a>\r\n <\/h3>\r\n \r\n 1987<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Socialismo tascabile (prove tecniche di trasmissione)<\/a>\r\n <\/h3>\r\n \r\n 2005<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Solo Nomadi<\/a>\r\n <\/h3>\r\n \r\n 1990<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sonata a Kreuzberg<\/a>\r\n <\/h3>\r\n \r\n 2018<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sopravvissuti e sopravviventi<\/a>\r\n <\/h3>\r\n \r\n 1993<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Sorella sconfitta<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Soul Crusader Again the Songs of Bruce Springsteen<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Soul Crusader: The songs of bruce Springsteen<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Spirito DiVino<\/a>\r\n <\/h3>\r\n \r\n 1995<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Stard’\u00dcst<\/a>\r\n <\/h3>\r\n \r\n 1998<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Starflux<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Storie d’amore con pioggia e altri racconti di rovesci e temporali<\/a>\r\n <\/h3>\r\n \r\n 2022<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Su e gi\u00f9 da un palco<\/a>\r\n <\/h3>\r\n \r\n 1997<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Sweet piano<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tabula rasa elettrificata<\/a>\r\n <\/h3>\r\n \r\n 1997<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tenebra \u00e8 la notte<\/a>\r\n <\/h3>\r\n \r\n 2019<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n The Book of Dreams<\/a>\r\n <\/h3>\r\n \r\n 2002<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n The Gift<\/a>\r\n <\/h3>\r\n \r\n 2017<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n The unspeakable<\/a>\r\n <\/h3>\r\n \r\n 2012<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n This is an Album<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Three weekend sentences – Urban cosmogony<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tra via Emilia e blue jeans<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tre<\/a>\r\n <\/h3>\r\n \r\n 2002<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tre colori<\/a>\r\n <\/h3>\r\n \r\n 2007<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Tutto bene<\/a>\r\n <\/h3>\r\n \r\n 2001<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Ultime notizie di cronaca<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Un minuto in pi\u00f9<\/a>\r\n <\/h3>\r\n \r\n 2006<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Un’altra et\u00e0 (piano version)<\/a>\r\n <\/h3>\r\n \r\n 2008<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Unborn<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Up in Dreamland<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n \u00dcst<\/a>\r\n <\/h3>\r\n \r\n 1996<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n UstBestMamo<\/a>\r\n <\/h3>\r\n \r\n 2003<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n \u00dcstmam\u00f2<\/a>\r\n <\/h3>\r\n \r\n 1991<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Vacca Ragas<\/a>\r\n <\/h3>\r\n \r\n 2023<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Vivo\/Live<\/a>\r\n <\/h3>\r\n \r\n 2015<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Voices<\/a>\r\n <\/h3>\r\n \r\n 2020<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
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\r\n Volare Basso<\/a>\r\n <\/h3>\r\n \r\n 2013<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n W.A. Mozart, Andrea Griminelli – Concerti per Flauto<\/a>\r\n <\/h3>\r\n \r\n 2004<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n X Sounds Xtremely Mysterious<\/a>\r\n <\/h3>\r\n \r\n 2016<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n You are the Victim<\/a>\r\n <\/h3>\r\n \r\n 1983<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Zagor King of Darkwood<\/a>\r\n <\/h3>\r\n \r\n 2009<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Ziganamama<\/a>\r\n <\/h3>\r\n \r\n 2000<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n\r\n \r\n \r\n \"\" <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n

\r\n Zucchero<\/a>\r\n <\/h3>\r\n \r\n 1990<\/span>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n [\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

“Zucchero,” also published under the title “Zucchero Sings his Hits in English,” is a collection by Italian singer Zucchero Fornaciari released on September 3, 1990. TRACKS Diamante \u2013 5:51 (lyrics: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7076,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/pages\/7094"}],"collection":[{"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/comments?post=7094"}],"version-history":[{"count":2,"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/pages\/7094\/revisions"}],"predecessor-version":[{"id":7096,"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/pages\/7094\/revisions\/7096"}],"up":[{"embeddable":true,"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/pages\/7076"}],"wp:attachment":[{"href":"https:\/\/www.musicistireggiani.it\/en\/wp-json\/wp\/v2\/media?parent=7094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}